Artwork in the room
A self-taught painter has been drawing and painting since childhood. Daiva now uses a variety of techniques in her work - oil paints, acrylics, pastels, crayons, colored pencils, likes to paint different objects and in different styles, to experiment, because she says that otherwise it would be boring, and she is not afraid of new challenges.
The artist is currently obsessed with mysticism, the mysteries of man and the universe, and the afterlife. As the author says, we do not have all the answers. It is these unanswered questions that interest her. Whether the work is figurative or abstract, the viewer is left with the impression of fog, of a mysterious light penetrating through it, as if our eyes could deceive us. The artist often uses a palette of darker colours, as if to emphasise that in a sense we are in the dark ourselves, and that we can only perceive certain things very vaguely.
Most of the paintings created over the last few years have found their homes and have travelled not only to various Lithuanian cities, but also abroad (France, Germany, Holland).
2018-2020: Studied fashion design at Vilnius College of Design.
April 2022: Held the first solo exhibition in Vienna, Austria, at the private gallery "The Gallery Steiner".
July 2022: The painting "Tyla" was selected for the virtual gallery of the project "Art Without a Roof" by the Vilnius City Municipality and "JCDecaux Lithuania".
Participated in:
2022 m. "Affordable Art Fair Amsterdam" 2023 m. "Affordable Art Fair Brussels" 2024 m. "Affordable Art Fair Stockholm" 2024 m. "Affordable Art Fair Brussels" 2024 m. "Affordable Art Fair Berlin" 2024 m. "Affordable Art Fair Stockholm" 2024 m. "Affordable Art Fair Amsterdam"
About this artwork+
This painting is called "Autumn Is Coming Through the Fields" by Daiva Karaliūtė. It shows a very soft and dreamy landscape. The artwork is oval and framed elegantly. The top part glows with warm yellows and oranges, suggesting trees captured in the golden light of autumn. Below, deep purples and blacks blend, maybe hinting at a shadowy field or underbrush. The middle section, which appears as a dark band, could represent a distant line of trees or a dividing field. The style is loose and impressionistic. Karaliūtė uses blurred lines and washes of color. It's more about capturing a mood or feeling than detailing every leaf and branch. This technique lets our imagination fill in the details. Overall, the painting feels calm and a bit mysterious, just like a quiet autumn day.




















