Details
- Materials
- Oil Pastel on Wood Panel
- Dimensions
- 85 × 150 cm
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Daina Maslauskaitė Light (I-AM), born in 1979, is a contemporary artist who has cultivated her independent creative practice for more than twenty years. She later undertook formal studies in art, earning both a bachelor's and a master's degree from the Academy of Fine Arts. For her master’s thesis, she examined a subjective approach to holistic experience in painting, which led her to develop her own theoretical framework to guide her artistic process and work.
A central feature of Maslauskaitė’s art is her exploration of the “architecture of inner reality.” In her paintings, she investigates profound subjects such as the quest for the true self, the continuous internal dialogue with the outside world, and what she describes as the soul’s “inner kung-fu.” These ideas, reflecting her interest in the psychological and spiritual aspects of human life, appear repeatedly throughout her oeuvre.
For Maslauskaitė, the act of creating is grounded in self-purification, often pursued through meditation and autogenic techniques. By engaging in these practices, she strives to build sensitive and harmonious connections with the world, the universe, and the Creator. This process opens a space where inner change can unfold freely, with the resulting artwork embodying and documenting these internal shifts.
Maslauskaitė’s search for pictorial form is deeply intuitive, as she endeavors to merge inner and outer realities into a single, indivisible entity. Colour and composition emerge naturally, following instinct rather than conscious planning and responding to her vision and ideas. Many of her pieces are enlivened by spontaneous bursts of creativity, drawing upon the most profound sources beneath outward appearances and inviting viewers to engage with the dynamic between internal transformation and artistic creation.
About this artwork+
In the painting "Close in Soul" by Daina Maslauskaitė, ethereal forms and colors merge into an abstract, dream-like vision. Dominated by soft, swirling textures, the canvas showcases hues of beige, pale blue, white, and hints of brown and gold. These colors meander and twist, suggesting a gentle motion. In the central part of the image, lighter shapes that could be interpreted as figures appear to ascend towards a luminous source at the top, bathed in a bright, creamy light. The visual flow from the bottom to the top could be seen as symbolic, perhaps reflecting a journey, spiritual in nature, linked by the shared gradient and tone of the surrounding colors. The figures, though abstract and faceless, emanate a sense of peacefulness and an intimate connection, as if they are moving together in harmony. The overall impression is one of unity and transcendence, evoking a feeling of closeness beyond the physical realm.



















