Arvydas Kašauskas was born in 1959 in Vilnius. From 1977 to 1982, he studied fresco and mosaic at the Vilnius Academy of Arts.
“The quality of art remains a matter of the author’s ambition and integrity,” says Kašauskas. In simple terms, art is good when the artist cares and stays honest.
Kašauskas was trained in monumental art—a discipline focused on scale, structure, and permanence. This background still shapes his work today. He approaches painting not as simple depiction, but as construction: each piece is built, carrying a sense of weight and space.
After the fall of the Soviet regime, he began working independently, moving from public, state-commissioned frescoes to more intimate canvas works. While the scale changed, his material approach remained.
Paint is not just applied—it is scraped, pressed, and layered, creating dense, tactile surfaces. His work balances control with unpredictability.
Looking back, Kašauskas describes his early artistic drive as a search for “a brighter, more compelling life,” shaped by a time when art held a distinct cultural role.
Today, he sees creativity as something open to everyone—not limited to artists, but available to anyone shaping their life with intention.
Landscape remains a constant in his work. Often painting outdoors, he draws from the energy of place and shared creative experience. Even in abstraction, nature is still present—reduced to rhythm, form, and space.
For Kašauskas, every painting is, ultimately, an abstraction.
About this artwork+
This painting, titled "Flowers" by Arvydas Kašauskas, is lively and colorful. It shows a bouquet of flowers in a clear glass vase. The flowers are vivid, with hues of white, red, pink, and bits of yellow and green. This arrangement sits on what looks like a pale table or surface. The style is bold and expressive. Thick, textured strokes of paint give a three-dimensional feel. Each brushstroke adds to the energy of the work, making the blooms almost tactile. Arvydas Kašauskas uses an impressionistic approach, focusing more on the impact of color and texture than on detailed realism. This technique makes the flowers pop against the softly blended background, creating a vibrant focal point.
