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Andrius Makarevičius

Andrius Makarevičius(122)

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Andrius Makarevičius, born on October 13, 1982, in Pabrade, is a Lithuanian artist acclaimed for his dynamic and intellectually engaging creations. In 2005, he graduated from Vilnius Pedagogical University with a Bachelor of Arts, providing him with a strong academic basis for his artistic pursuit.

Since 2003, Makarevičius has presented his art in personal exhibitions and has remained an active participant in numerous group shows and collaborative endeavors. His involvement in Lithuania's art community was further affirmed in 2017, when he joined the Lithuanian Artists' Union.

Makarevičius’ work is distinguished by its direct engagement with difficult and sometimes uncomfortable issues. His paintings are characterized by bold, textured brushwork, altered proportions, and an intricate play of unconventional colors. The human figures he portrays frequently merge with animalistic traits, evoking a surreal interpretation of everyday existence. Despite the often serious subject matter, Makarevičius incorporates humor and irony, preserving a lively and broad-minded perspective. Central to his artistic vision is an exploration of human nature, delving into the tensions between internal and external realities, and examining humanity’s interactions with itself and its surroundings.

Makarevičius’ artworks have gained admiration from collectors and art lovers both within Lithuania and abroad, and are represented in private collections in countries such as America, Switzerland, England, Ireland, Denmark, and Germany. Of particular note, one private collector with a keen interest in nudes has acquired ten of his paintings, further reflecting the artist's wide-ranging appeal.

About this artwork+

The painting features a scene with a man sitting hunched over on a curb, eating bread. He is wearing a dark blue jacket with white stripes on the sleeves. His expression is thoughtful, almost sorrowful as he feeds the crumbs to a group of pigeons gathered around his feet. The background of the scene is awash in a warm, red-hued cityscape, probably indicating dusk or dawn. At the top right-hand corner, there’s a sign with the words "Kita stotelė stotis", suggesting a nearby station location. The mood seems solemn, underlined by the painterly strokes and the use of contrasting dark and warm tones.