Details
- Author
- Aleksandras Kapustinas
- Materials
- Pastels on paper
- Dimensions
- 59.4 × 42 cm
- Year of creation
- 2023
- Signature
- Hand-signed by the artist
Certificate of authenticity and return guarantee
Certificate of authenticity
Every painting you buy in our gallery is an original work of art. With every painting we sell you receive a certificate of authenticity, which guarantees that you are buying a work by that specific artist.
Please note that buying a painting does not transfer its copyright — you do not acquire the right to use the artwork commercially, for example to copy it or produce reproductions.
30-day return guarantee
Our main goal is to help you find the one artwork that truly fits and delights you — it is an object that will decorate your home for a long time and will eventually be passed on to future generations.
Although by law works of art cannot be returned (the seller's consent is required), don't worry — if you have doubts within 30 days of the purchase date, contact us: we will take the work back and refund your money, or offer you to choose another one from our art platform!
Delivery
Delivery time: 10–14 business days. Every artwork ships insured by courier (FedEx/DHL) with a tracking number. Originals are one-off pieces and are packed with particular care. If you need the piece sooner, contact us — we can usually find a solution. For deliveries outside the EU, import duties may apply; these are borne by the recipient.
Returns
As a consumer you have a statutory 14-day right of withdrawal from the day you receive the goods — no reasons needed. Details and the model withdrawal form are in our withdrawal notice (linked in the footer). Beyond that, as a courtesy we accept returns up to 30 days after receipt — an artwork should truly delight you. Contact us and we will find a solution.
Artwork in the room
Aleksandras Kapustinas is a decorative artist who graduated from the Lithuanian Academy of Arts in 1976. With a solid foundation in professional training, he began developing his career in the arts, participating in exhibitions and sharing his enthusiasm for visual art with a broader audience. His first public exhibition was held in Vilnius in 1980, and he later presented his works in Kaunas in 1982.
Now based in Vilnius, Kapustinas draws profound inspiration from the imagery and mood of the old town. The historic allure and evocative atmosphere of Vilnius are integral to his work, shaping and inspiring his creative pursuits. This deep connection to the city permeates the subjects he chooses to portray.
In more recent years, Kapustinas has devoted himself to landscape painting, using the traditional pastel-on-paper technique. His works highlight the distinct character of Vilnius as well as various scenes from Great Britain, reflecting his admiration for European cityscapes and landscapes through a sophisticated artistic perspective.
Kapustinas’s landscapes encourage viewers to immerse themselves in the nostalgic mood and enduring beauty of the places he paints. Each piece reveals not only his technical mastery but also his personal captivation with the unique spirit of historic and picturesque settings.
About this artwork+
The painting depicts a woman mounted on a chestnut horse, positioned on a cobblestone square in an old European city. The woman, dressed in a vibrant orange coat, sits facing the left side of the canvas, her back to the viewer, looking towards an ornate cityscape defined by classical architecture. The buildings bathed in earthy tones under a vast, overcast sky convey a sense of historical richness and tranquility. The encompassing environment is moody, dominated by hues of gray and brown, contrasting sharply against the woman’s orange coat, injecting a burst of life into the serene urban scene. This juxtaposition not only emphasizes the central figure of the horsewoman but also enhances the depth and perspective of the square, which is meticulously outlined with white chalk, drawing the eye toward the horizon where a church tower stands prominently. Two columns frame the foreground on the right, suggesting the viewer’s position on a porch or under a colonnade overlooking the square. The painting’s mood is reflective, poised between the stillness of the architecture and the potential motion of the horse and rider.
